Atlanta Ballet: Return to Fall

I’m glad that Atlanta Ballet decided to restore their autumn program.1 It felt a little odd to have the entire season crammed into four months at the end of the arts season. By the time February would roll around, I often found myself almost surprised to see their dance concerts on my calendar. I must say their Return to Fall was quite the triumph, with good performances in an excellent program that was a perfect beginning to the new season.
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Atlanta Ballet: Firebird

The evening began with a rather mediocre performance of Balanchine’s “Allegro Brillante.” The staging itself, I think, also detracted from the piece: I think that it would have looked better on a smaller stage or, perhaps, keeping the dancers closer to center. As it was, the stage often seemed to swallow the pastel and light-gray dancers. Had it been perfectly staged and performed, though, I’d still have found it dull. Like most people who enjoy ballet, I like a lot of Balanchine’s work but I also dislike a lot of Balanchine’s work. I suspect that there isn’t a perfect overlap between what interests a dancer about his work and what interests the audience and, with a large repertoire developed in near total absence of local competition, the disjunction between the two points of view leaves a lot of opportunity for audience disappointment.
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