ASO: Robert Spano with Russell Thomas, Mary Elizabeth Williams, and Nmon Ford

I was excited when I saw that the Atlanta Symphony Orchestra was doing a semi-staged production of Verdi’s “Otello” this season. It’s among my favorite operas as much because of the wonderful orchestration as for anything sung by the soloists. The orchestra really tells the story almost as well as the libretto such that I think that you could strip the singing from it and still have the makings for a solid ballet. I suspected that a semi-staging would let me focus more on the musicality of the work than the dramatic aspects without reducing the emotional impact of the work on me. I’m happy to report, I was correct: this was a wonderful way to hear the opera.
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ASO: Donald Runnicles with Russell Thomas and Kelly O’Connor

There were two novel things about tonight’s concert by the Atlanta Symphony Orchestra. The first was that they finally asked people to silence their cell-phones before the concert. They used a modestly witty video featuring some of the musicians to do so. I think that the video will get old after a while and they may want to rethink the tone of it as it sounds somewhat judgmental, but it was still nice that they’re finally showing some awareness that this aspect of audience experience is important enough to comment upon. The other novelty was an introduction by principal guest conductor Donald Runnicles to the two pieces on the program, including a small video explaining some of the Japanese instruments whose sounds are reflected in the first piece.
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