ASO: Miguel Harth-Bedoya with Alcides Rodriguez and Ksenija Sidorova

I don’t know why we bothered to sit at all at the Atlanta Symphony Orchestra’s concert last night. The programmed works were all relatively short and Miguel Harth-Bedoya and the soloists delivered such great performances of all of them that we just had to pop out of our seats for a standing ovation after each piece. Both in terms of programming and performance, it will probably end up being my favorite concert of the season.
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ASO: Pre-Concert Chamber Recital

I was fortunate enough to be sitting with a member of the ASO’s Talent Development Program before the Atlanta Symphony Orchestra’s pre-concert chamber recital this evening. I was fighting a horrible amount of grumbly grumpiness but she was sweet enough to humor some random adult asking her about her music studies. It’s amazing what a dose of youthful optimism can do to turn a mood around. Thanks to her, I was already in a pretty good mood when the music began and I’m grateful for that because it let me quickly settle into the best of the pre concert chamber recitals that I’ve been to this year.
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Atlanta Opera: Maria de Buenos Aires

The Atlanta Opera’s production of Astor Piazzolla’s “Maria de Buenos Aires” was a true delight. It was staged in the event space at Paris on Ponce, La Maison Rouge, which is a decent sized space decorated with a variety of novel tchochkes kind of like one of those restaurants with a name that ends with an apostrophe and an ‘s.’ The action took place in a C shaped area that enveloped the front of the audience, with a stage to the left that led to a higher, narrower stage in front. To the right was a bar set and on the floor in front of the higher stage were a couple of small, high tables and chairs, such as you might find in a bar or café. The word “Maria” was written in ribbons of cloth woven through nails on the front wall.
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