ASO with Jun Märkl and Giora Schmidt

Saturday’s Atlanta Symphony Orchestra with guest conductor Jun Märkl seemed to get off to a rocky start. The first piece on the program was Berlioz’ Benvenuto Cellini Overture, which is a charming and colorful piece with which to start an evening of music. Unfortunately, the orchestra was a bit muddy, particularly at the beginning. I suspect that things might have come out better if Märkl had waited a few seconds to get everyone’s attention before cuing the performance’s start: he leapt upon the podium and began the piece nearly immediately, significantly faster than I’ve seen from any other conductor. It wasn’t terrible but it also wasn’t the best way to start the evening.
Continue reading

ASO: Jun Märkl with Catalina Cuervo and Bertrand Chamayou

I ended up going home at the intermission of Saturday’s Atlanta Symphony Orchestra concert. I’m actually pretty sure that the final piece on the program, Beethoven’s symphony no. 4, would have been handled well by conductor Jun Märkl and played well by the orchestra, but I decided that I didn’t want to sit through it. I can take or leave the work itself and my hip was bothering me. Plus, the main work that I was excited to hear was played poorly and there was an excellent encore after the concerto that I preferred to have in my head over the Beethoven.
Continue reading

ASO: Jun Märkl with Johannes Moser

There was a lot to like about this evening’s Atlanta Symphony Orchestra concert conducted by Jun Märkl. The program was fairly light-hearted, with two neo-classical works with a smaller orchestra in the first half and Schumann’s “Spring Symphony” to conclude the show. Under Märkl’s baton, the music was a warm delight on a cold winter’s evening.
Continue reading