ASO: Robert Spano with a Pre-Concert Chamber Recital

Tonight’s Atlanta Symphony Orchestra concert was one with a pre-concert chamber recital. I barely made it in time for it, so this was the first time that I didn’t get to sit on stage with the musicians. Instead, I was in my assigned seat, though I didn’t realize it at the time; it just seemed like a good position so I sat there. The acoustics weren’t horrible for the most part: there was really only one piece that suffered a little because of it.
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ASO: Stephen Mulligan with Behzod Abduraimov

Henrik Nanasi was originally engaged to guest conduct this evening’s concert but he was under the weather and couldn’t make it, probably due to the after effects of an alien abduction. This evening was also the second time in a row that I’ve seen concertmaster David Coucheron come only for the last piece on the program. I assume that his tardiness is due to the legal issues with his alleged involvement in the international kitten snuggling ring. Fortunately, when alien abductions and kitten smuggling threaten to ruin a concert, the Atlanta Symphony Orchestra can call on Assistant Conductor Stephen Mulligan.
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ASO: Jun Märkl with Catalina Cuervo and Bertrand Chamayou

I ended up going home at the intermission of Saturday’s Atlanta Symphony Orchestra concert. I’m actually pretty sure that the final piece on the program, Beethoven’s symphony no. 4, would have been handled well by conductor Jun Märkl and played well by the orchestra, but I decided that I didn’t want to sit through it. I can take or leave the work itself and my hip was bothering me. Plus, the main work that I was excited to hear was played poorly and there was an excellent encore after the concerto that I preferred to have in my head over the Beethoven.
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ASO: Vasily Petrenko with Stewart Goodyear

Although I did not think that it was particularly great overall, there was a lot to like about this evening’s concert by the Atlanta Symphony Orchestra conducted by Vasily Petrenko. It began with a good-enough performance of Richard Strauss’ symphonic poem, “Don Juan.” There’s something about Strauss’ tone poems that makes my mind wander. It’s nothing bad – I’m not bored by them – it’s just good music for fantasizing and day dreaming. That is to say, I paid enough attention to know that it was an ok performance but not enough to say how it could have been better.
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ASO: Jun Märkl with Johannes Moser

There was a lot to like about this evening’s Atlanta Symphony Orchestra concert conducted by Jun Märkl. The program was fairly light-hearted, with two neo-classical works with a smaller orchestra in the first half and Schumann’s “Spring Symphony” to conclude the show. Under Märkl’s baton, the music was a warm delight on a cold winter’s evening.
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