Neophonia: Tête-à-Tête

I’m almost embarrassed to admit that my favorite pieces on a program of new music were all over thirty years old. Then again, I am also over thirty years old and I’m your favorite, right? Anyway, I thoroughly enjoyed Neophonia’s “Tête-à-Tête” at the Rialto last night. It was a woodwind-heavy program with fewer works by French composers than I’d have expected for a concert that was part of France-Atlanta 2017. With two world premiers and some very engaging music and should have been much better attended given the fact that it was free. Then again, maybe people wanted to steer clear of anything involving the French embassy after the French government’s Romani ethnic cleansing program at the beginning of this decade.
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Chamber Cartel: Prajñā

I think that this is the first Chamber Cartel concert that I’ve attended in a venue that has climate control. Thinking back, I know that they’ve performed in a few other places, but the only times that I’ve been able to attend their shows have been in the various Goat Farm venues. Fortunately, given the heatwave, the Goat Farm opened up the Warhorse for tonight’s show. It proved to be a pleasantly intimate venue for chamber music, if a bit cramped. I had a comfortable seat but many did not. It wasn’t a particularly long concert, though, and there were no epically long pieces, so I’d probably not have been terribly upset if I’d have had to stand.
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