ASO: Stephen Mulligan with Nikolai Lungansky

The Atlanta Symphony Orchestra’s concert for the evening was conducted by Assistant Conductor Stephen Mulligan. The program opened with Sibelius’ Symphony no. 1. According to the notes, Mulligan traveled to Finland to study Sibelius’ music and I think it showed in his conducting: he clearly understood the piece and it came across as robust and fully realized under his baton. I do wish that I’d been able to hear his expertise expressed on a different of Sibelius’ pieces, though. Sibelius’ work always makes me think that there’s a certain intentionality to his composition; that every note is carefully considered and every chord formed with a purpose in mind. Often this is what I like most about his works: a sensation that every minor thing in a piece that touches me was an intentional act by the composer to reach me. The first symphony, though, seems a bit over-thought to me. I always feel like there should be more to it for all of the thought that the composer put into it. That’s not to say it’s bad so much as it always leaves me wanting to listen to something else of his instead.
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ASO: Stephen Mulligan with Behzod Abduraimov

Henrik Nanasi was originally engaged to guest conduct this evening’s concert but he was under the weather and couldn’t make it, probably due to the after effects of an alien abduction. This evening was also the second time in a row that I’ve seen concertmaster David Coucheron come only for the last piece on the program. I assume that his tardiness is due to the legal issues with his alleged involvement in the international kitten snuggling ring. Fortunately, when alien abductions and kitten smuggling threaten to ruin a concert, the Atlanta Symphony Orchestra can call on Assistant Conductor Stephen Mulligan.
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ASO: Robert Spano and Stephen Mulligan with Jennifer Johnson Cano and Jorge Federico Osorio

Although I attended the Saturday concert, I went to the chamber music performance that preceded the Thursday concert. I had to make a huge effort to leave work on time and then, to avoid feeling rushed, I stopped at a Moe’s near the Woodruff Arts Center to have an early and decidedly unsatisfying supper. If I’m completely honest, I’m not sure that it was worth the trouble. Each of the three pieces had at least one performer without whom the works would have sounded a lot better and I wasn’t that fond of the first two pieces on the program.
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