ASO: Stephen Mulligan with Nikolai Lungansky

The Atlanta Symphony Orchestra’s concert for the evening was conducted by Assistant Conductor Stephen Mulligan. The program opened with Sibelius’ Symphony no. 1. According to the notes, Mulligan traveled to Finland to study Sibelius’ music and I think it showed in his conducting: he clearly understood the piece and it came across as robust and fully realized under his baton. I do wish that I’d been able to hear his expertise expressed on a different of Sibelius’ pieces, though. Sibelius’ work always makes me think that there’s a certain intentionality to his composition; that every note is carefully considered and every chord formed with a purpose in mind. Often this is what I like most about his works: a sensation that every minor thing in a piece that touches me was an intentional act by the composer to reach me. The first symphony, though, seems a bit over-thought to me. I always feel like there should be more to it for all of the thought that the composer put into it. That’s not to say it’s bad so much as it always leaves me wanting to listen to something else of his instead.
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ASO: Robert Spano with Benjamin Beilman

The orchestra wasn’t in its best form this evening. There was a lot of muddiness all around, but particularly from the brass and the 2nd violins. That said, the music itself did make it through the mud well enough for me to appreciate the scores that they were playing.
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ASO: Robert Spano with Garrick Ohlsson

I guess that because the season premier concert was a one-off performed on a Thursday, the Atlanta Symphony Orchestra could get away with calling last night’s performance their opening weekend concert. As per tradition, Spano led the orchestra in the Star Spangled Banner with much of the audience singing along.
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ASO: Marc Piollet with Augustin Hadelich

Tonight’s ASO concert opened with Blacher’s Variations on a Theme by Niccolo Paganini. I believe that this was the first time that I’d heard the piece. The theme comes from Paganini’s Caprice no. 24 and is presented at first by the concertmaster, is then picked up by the rest of the orchestra, and then the variations begin. The variations were mostly pretty fun, a number of them having a strong jazz influence and sounding very Gershwiny. The musicians played it well under Marc Piollet’s baton and I thought that it served as a good concert opener.
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ASO: Robert Spano with Yefim Bronfman

I was disappointed in the first half of tonight’s concert. I have no idea if it was somehow just me, but everything under Spano’s baton seemed sterile. I don’t think that I’ve ever heard Sibelius’ “The Bard” before this evening, so I can’t be sure how it is normally played, but I found myself unable to find any expressiveness in the way that it was performed. I actually bought the ASO’s (somewhat) recent all-Sibelius album and listened to the first half of “Tapiola” on the way home to remind myself that Spano et al can most certainly do more than mere justice to the composer’s music. (This is a great album, by the way, and I’ve been meaning to pick it up for a while. If you haven’t heard it, do try to give it a listen.)
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