Project 7 Contemporary Dance Company – SHE: The 7th Rung

My continuing quest to find live, non-Christmassy performances in December took me to 7 Stages this evening to see Project 7 Contemporary Dance Company perform Cherrise Wakeham’s SHE: The 7th Rung. For a piece that I enjoyed as much as I did, I don’t feel like I have terribly much to say about it: I really had to rack my brain to find things that I want to remember about it to set down here. I suppose that is in part due to the fact that I’ve been exhausted all day, which left me somewhat unable to watch with too critical an eye. That said, this was a concert that, although not merely a vapid spectacle by any means, might be better enjoyed with a more passive attention. What I lost in memorableness I may have gained in finding somewhat greater enjoyment.
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Mark Morris Dance Group & Music Ensemble

Concert dance choreographed purely as an expression of music can range from being something for the eyes to set upon while music is playing — e.g. the kind of light ballet that one often finds with opera or the BBC Proms, where the movement is more of a loose accompaniment to the music rather than the other way around — to being a strong, expressive work that brings new things out of the music and stands firmly in its own, well established character. Mark Morris’ work this evening leaned more toward the former: it contained a lot of clever and fun work that rose well above vapidity, though it never quite managed to find character for itself beyond the music. If it had been set to recorded music, honestly, I’d have thought it a little cheesy but, fortunately, there was a pretty decent piano trio accompanying the first and third pieces, so the choreography didn’t really have to stand above the music for it to be a good show.
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HUANG YI & KUKA

When one thinks of watching a show with a big, laser-wielding robot, one likely thinks of some kind of science fiction thriller movie. KUKA, the eponymous robotic star of HUANG YI & KUKA, is probably more of a threat to your job than to your body, though, as it is an incredibly fast and dexterous industrial robot mounted on a static platform with six joints and the ability to be retooled in about five minutes (which was demonstrated twice on stage). And under the direction of Huang Yi, you’re more likely to feel inspired than threatened.
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Malpaso Dance Company

I have, on occasion, gone to dance concerts that I thought might not be so great but that had really good accompaniment with the idea that if I wasn’t enjoying the dance performance, I might be able to just close my eyes and enjoy the musical performance. Unfortunately, this has never worked for me. This evening, I had the opposite wish — that I could close my ears and just enjoy the dance performance — while watching the first of three pieces that Malpaso Dance Company had programmed for the evening.
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EVIDENCE, A Dance Company

There seemed to be a lot of confusion around the Evidence, A Dance Company performance tonight at the Ferst. I got an email at 3p stating the the show was at 6p rather than 5p, as was printed on the ticket. Then they started about half an hour late. Finally, the program listed the pieces in the wrong order. It was, however, certainly an enjoyable show of Ronald K. Brown’s choreography.
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Gotta Dance Atlanta: Surface

I ended up walking out of this performance tonight because the really lousy accompanying music was way too loud for comfort. It was so loud, in fact, that it was being pretty seriously distorted by the sound system that wasn’t designed for that kind of use. It was bad enough that if I had been on an aisle then I would not have even waited for intermission. I don’t know if they just didn’t have monitors and couldn’t hear the music on stage, but that still isn’t an excuse for blasting their audience’s eardrums like that. If all you need is to hear your cues, you can get a low-end monitor for $50 that will do your performers better than trying to reflect the sound off the back of the theater and will make your work come across as much better produced. Hell, running the sound through a little boom box with a mic input will probably be as good as the sound was for your rehearsals. There may have been something worth watching if the sound were bearable, but I recall nothing about the performance but the assault on my ears.

Fuerta Dance Company: (luna)tics

If I had a nickel for every time that some dancer’s mother seemed excited that the only reason that I came out to see a semi-pro company’s dance concert is that I happen to like concert dance then I could buy a cool, tasty soda. And a cool drink would be nice right now because the theater in which I just saw Fuerta Dance’s production, (luna)tics, was pretty warm and my drive home was warmer since, it seems, my AC is out again.
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