Malpaso Dance Company

I have, on occasion, gone to dance concerts that I thought might not be so great but that had really good accompaniment with the idea that if I wasn’t enjoying the dance performance, I might be able to just close my eyes and enjoy the musical performance. Unfortunately, this has never worked for me. This evening, I had the opposite wish — that I could close my ears and just enjoy the dance performance — while watching the first of three pieces that Malpaso Dance Company had programmed for the evening.
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EVIDENCE, A Dance Company

There seemed to be a lot of confusion around the Evidence, A Dance Company performance tonight at the Ferst. I got an email at 3p stating the the show was at 6p rather than 5p, as was printed on the ticket. Then they started about half an hour late. Finally, the program listed the pieces in the wrong order. It was, however, certainly an enjoyable show of Ronald K. Brown’s choreography.
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Gotta Dance Atlanta: Surface

I ended up walking out of this performance tonight because the really lousy accompanying music was way too loud for comfort. It was so loud, in fact, that it was being pretty seriously distorted by the sound system that wasn’t designed for that kind of use. It was bad enough that if I had been on an aisle then I would not have even waited for intermission. I don’t know if they just didn’t have monitors and couldn’t hear the music on stage, but that still isn’t an excuse for blasting their audience’s eardrums like that. If all you need is to hear your cues, you can get a low-end monitor for $50 that will do your performers better than trying to reflect the sound off the back of the theater and will make your work come across as much better produced. Hell, running the sound through a little boom box with a mic input will probably be as good as the sound was for your rehearsals. There may have been something worth watching if the sound were bearable, but I recall nothing about the performance but the assault on my ears.

Fuerta Dance Company: (luna)tics

If I had a nickel for every time that some dancer’s mother seemed excited that the only reason that I came out to see a semi-pro company’s dance concert is that I happen to like concert dance then I could buy a cool, tasty soda. And a cool drink would be nice right now because the theater in which I just saw Fuerta Dance’s production, (luna)tics, was pretty warm and my drive home was warmer since, it seems, my AC is out again.
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Roots Dance Project: Facets of Love

I went to a dance performance that was part of the Fringe Festival at 7 Stages this afternoon. It seems that there is a dance company that was formed for the festival a few years ago and I guess that I didn’t pay enough attention to notice. Anyway, now that 7 Stages is an easy mile walk from my place and I didn’t have anything planned for this afternoon, I figured that I’d check them out.
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Atlanta Ballet: MAYhem

What a great night of dance! Any concerns that I harbored going in that Atlanta Ballet would not pull off this concert were, thankfully, unfounded. The performances by the company as a whole and each dancer individually ranged from decent to excellent and every piece was well realized by the dancers on the stage.
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Jonah Bokaer: Other Myths

Every busy Monday should end like this one. I went to a dance performance choreographed by Jonah Bokaer in the elevated patio above the courtyard of the Contemporary. The slight chill in the air was so fitting for the piece. The dancers were dressed in shades of gray, black, and white. The music was a rather generic sounding, though effectively used, collection of softly spoken words on a background of electronic noise.
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